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Thursday, November 30, 2006
Tuesday, November 28, 2006
Ramblings from Seville: Flamenco
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One does not need to go to a show to experience Flamenco, the sounds of the cante (singing) and guitarra (guitar) echo from the tapas bars, sevillians break into improtu baile (dance) at nights on the city's streets, accompanied by hand clapping and palmas. It is an ever present undertone in a society deeprooted in a cultural cooking pot that continues boil to this day.
Friday, November 24, 2006
Ramblings from Seville: The Virgin
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Ramblings from Seville: Orange
In Seville everything is orange.
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Weave your way down through the compact maze of old narrow streets and they are lined with orange trees. The crumbling walls are painted orange, the window blinds are orange, even the buses are orange. The interior of the churches are awash with gold. At night the Cathedral casts orange light into the sky,the streets are bathed in the glow of the orange street lamps and the Moorish lanterns that hang outside the tapas bars and resturants. Orange is a good colour, it makes everything seem cheerful, even in the Andalusian rain.
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Weave your way down through the compact maze of old narrow streets and they are lined with orange trees. The crumbling walls are painted orange, the window blinds are orange, even the buses are orange. The interior of the churches are awash with gold. At night the Cathedral casts orange light into the sky,the streets are bathed in the glow of the orange street lamps and the Moorish lanterns that hang outside the tapas bars and resturants. Orange is a good colour, it makes everything seem cheerful, even in the Andalusian rain.
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Thursday, November 23, 2006
Tuesday, November 14, 2006
Crawling into my dreams
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To see a spider in your dream, indicates that you are feeling like an outsider in some situation. Or that you may want to keep your distance and stay away from an alluring and tempting situation
Ok, interesting, but not really ringing any bells, continue...
The spider is also symbolic of feminine power.
Nice! I am of course female and exert power over all around me ;-)
Alternatively, a spider may refer to a powerful force protecting you against your self-destructive behavior. If you kill a spider, it symbolizes misfortune and general bad luck.
Phew, never killed on in my dreams.
To see a spider spinning a web in your dream, signifies that you will be rewarded for your hard work. You will soon find yourself promoted in your job or recognized for your achievement in a difficult task.
Damn it, no webs.
Spiders are a symbol of creativity due to the intricate webs they spin.
Sounds good, might explain the photo like inclusion in my land of nod.
On a negative note, spiders may indicate a feeling of being entangled or trapped in a sticky or clingy relationship. It represents some ensnaring and controlling force. You may feel that someone or some situation is sucking the life right out of you.
That is quite negative, but I am suffering no acute vampiric situations.
Dreams really make me ponder. I mean a one-off is interesting, often a catharsis of the days events, but there have been a lot of spiders in my dreams lately, they have become a symbol. It has to mean something. I don't even really have a great fear of the little critters, although I must say the spikey kind are not my favorite, but they keep cropping up. Hopefully it will turn out they are money spiders, that would be nice!
Back to the meadow
I've already blogged a few photos of Oxford Port Meadow but today I returned there to take some photos with the Oxford Photographic Society.
The OPS is one of the top ten photographic societies in the UK. It has been going since 1889 and it's a great opportunity to boost photographic skills. It hardly costs anything (£32 per year) and is far less time consuming than any evening course. The society offers a mentoring scheme, instructional saturday walks, photo-tutorials, competitions, and monthly feedback meetings to discuss your photos. Everyone is really
friendly and so helpful. It was a glorious sunny winter's day and there were lots of rowers out on the river and docile horses to pet. I really enjoyed myself and learnt a lot about shutter speed and aperture and all those fiddly little settings on my camera that I don't have a clue about. I must admit though I did get lens envy seeing the digital SLRs and telescopic lenses that the professional photographers had. I have to submit my four best photos from the trip to their website but I'm not sure which ones to send in, I don't feel that any are particuarly exciting but please feel free to vote! The better photos I took are tagged with OSP1 on Flickr.
The OPS is one of the top ten photographic societies in the UK. It has been going since 1889 and it's a great opportunity to boost photographic skills. It hardly costs anything (£32 per year) and is far less time consuming than any evening course. The society offers a mentoring scheme, instructional saturday walks, photo-tutorials, competitions, and monthly feedback meetings to discuss your photos. Everyone is really
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Saturday, November 11, 2006
Circles, squares, triangles and a picture of myself
Last Friday I travelled down to London to attend Vision 2006, an event run by the British Journal of Photography. Held next to London Bridge, under the railway arches, various photography companies touted their goods and design organisations recruited new members. The congregation looked very arty, moving between the tables cigerette and coffee in hand, looking cool and intense; there was a very high level of black attire and berrets. I must say that the event itself was a little disappointing, but to be fair it really was aimed at the design student and professional photographer rather than a novice like myself. The cameras on show were way beyond my reach and I didn't dare approach the recruitment consultants. However, I did pick up an excellent book on digital photography and after a chat to the guy at the British Freelance Photographers stand I'm considering joining up to see if they could flog any of my photos.
The real reason I went however was to take advantage of the portfolio review facility. Take along your best pics and have a proper, real-life, experienced photographer offer their wisdom and constructive criticism. Disappointingly Kodak Online did not deliver my portfolio quality prints I had so carefully picked out and ordered weeks ago, but not to be defeated I popped into Boots and printed off some bog-standard 5 x 8 glossies to take along. Felt a bit of a muppet when I turned up and everone else had big black portfolio folders rammed with A3 prints on satin paper finish. Sheepishly I pulled my Boots photo wallet out of my bag and presented them to 'Dillon' for review. But Dillion wasn't really bothered by the display medium - "A picture is a picture". He lay out all 10 photos on the table and instantly put a few aside as no-nos. He put the rest, bar one, into three piles. "I see you have a commom theme here" he said, "circles, squares and triangles", "mmmm yes" I replied, not realising I had a theme and not wanting to sound stupid. He picks up my Little boy on the rocks and my Clouds on glass photo. "I love how these are so different yet virtually the same" he continues, I look closely at them and realise they are, kind of. The macros of flowers, the oxford bike, the elephants eye - "A circle theme - great!". The Eiffel Tower shots - "triangles!". How can someone else draw a theme out of my pictures I never knew were there? "I've seen a lot of snap shots here today" he says "but these are not snap shots, they are photography, so don't be embaressed about bringing them along" (I turn slightly beetroot). He turns to the "bar one" that didn't get put into a pile. "But this is the one that really stands out" he says, "it has composure, composition and atmosphere". I look at the photo he referring to. Very embaressingly it's a picture of myself, I don't tell him this, as it's taken from behind, so he would never know. In Tarifa with the sun shining down I'm sat on the beach facing out to sea, my hair wrapped up in a big scarf and, erm, blush, no top on (but you can't see anything). It's highly staged, or "composed" I guess is the correct term, and taken with an old no-frills cheapo canon digital then photoshopped black and white. I'd never seen this photo in print before, I've only ever seen it through a computer screen. I included it because it was popular in my flickr gallery, but I must say it looks better in print, even in Boots instant glossy print. I was suprised."I look at this" he says "and I don't know what it is that stands out, "the girl, the turban, the shadow, the sea. A good photo should make you look, continue to look and wonder why you like it. This could be a poster". Well perhaps not, that kind of freaks me out, my naked back being on someone's wall. But it has made me think that I should print more of photos out, because things look different, have a different effect, on a different medium. That I should do more staged shots. Look more carefully when I take a photo, at the shapes it captures, at different angles, take many shots of the same thing to see what works. Sharpen my eye and keep snapping away.
The real reason I went however was to take advantage of the portfolio review facility. Take along your best pics and have a proper, real-life, experienced photographer offer their wisdom and constructive criticism. Disappointingly Kodak Online did not deliver my portfolio quality prints I had so carefully picked out and ordered weeks ago, but not to be defeated I popped into Boots and printed off some bog-standard 5 x 8 glossies to take along. Felt a bit of a muppet when I turned up and everone else had big black portfolio folders rammed with A3 prints on satin paper finish. Sheepishly I pulled my Boots photo wallet out of my bag and presented them to 'Dillon' for review. But Dillion wasn't really bothered by the display medium - "A picture is a picture". He lay out all 10 photos on the table and instantly put a few aside as no-nos. He put the rest, bar one, into three piles. "I see you have a commom theme here" he said, "circles, squares and triangles", "mmmm yes" I replied, not realising I had a theme and not wanting to sound stupid. He picks up my Little boy on the rocks and my Clouds on glass photo. "I love how these are so different yet virtually the same" he continues, I look closely at them and realise they are, kind of. The macros of flowers, the oxford bike, the elephants eye - "A circle theme - great!". The Eiffel Tower shots - "triangles!". How can someone else draw a theme out of my pictures I never knew were there? "I've seen a lot of snap shots here today" he says "but these are not snap shots, they are photography, so don't be embaressed about bringing them along" (I turn slightly beetroot). He turns to the "bar one" that didn't get put into a pile. "But this is the one that really stands out" he says, "it has composure, composition and atmosphere". I look at the photo he referring to. Very embaressingly it's a picture of myself, I don't tell him this, as it's taken from behind, so he would never know. In Tarifa with the sun shining down I'm sat on the beach facing out to sea, my hair wrapped up in a big scarf and, erm, blush, no top on (but you can't see anything). It's highly staged, or "composed" I guess is the correct term, and taken with an old no-frills cheapo canon digital then photoshopped black and white. I'd never seen this photo in print before, I've only ever seen it through a computer screen. I included it because it was popular in my flickr gallery, but I must say it looks better in print, even in Boots instant glossy print. I was suprised."I look at this" he says "and I don't know what it is that stands out, "the girl, the turban, the shadow, the sea. A good photo should make you look, continue to look and wonder why you like it. This could be a poster". Well perhaps not, that kind of freaks me out, my naked back being on someone's wall. But it has made me think that I should print more of photos out, because things look different, have a different effect, on a different medium. That I should do more staged shots. Look more carefully when I take a photo, at the shapes it captures, at different angles, take many shots of the same thing to see what works. Sharpen my eye and keep snapping away.
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Friday, November 03, 2006
Creative commons licence does some good!
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Hi KT Lindsay,
I am delighted to let you know that three of your photos with a creative commons license have been selected for inclusion
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i) See which of your photos have been selected for inclusion.
ii) Learn how we credit photos in our
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iii) Download a copy of the guide, complete with your
credited photos.
Please enjoy the guide!
Best regards,
Ali Moss,
Managing Editor, Schmap Guides
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Thursday, November 02, 2006
We don't have time to stop and stare
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